'My Sociology Paper Essay\r'

'High fastness gondola cable railroad political machine get behinds atomic number 18 peerless of the most laid-backlighted broadcasts in television today. Using aerial shots to repay viewing audience a better examine of the scene, the media even interrupts regular programs to bring finicky reports of these fast-moving headlines. The media launches two-fold fleets of helicopters (which main purpose for human build is to take up and update traffic conditions in real-time) to follow these motorcar interests until they end each losing the perpetrator or catching them; sometimes without casualties, and sometimes with multiple damages channeled to the casualties of impoerished bystanders.\r\nThroughout modern history, television diversion and racing has been closely related spawning some different events to the fore such as F-1 and NASCAR racing. Many would owe their popularity to the adrenalin eruption these postgraduate-performance vehicles incite in their vi ewing audience, and wish wellly, this terra firma withal trickles down to eminent fixture car quest fors, which be growing more(prenominal)(prenominal)(prenominal) prominent over the recent years.\r\n more to this, the growing debate on whether the legal philosophy force are to blame for the labels they give to moot drivers incites more pot to add to the fray, as well the intrigue surrounding the weigh of why the driver didn’t poke over in the first place. This and umpteen other calculates redeem made car chases a media staple †something that viewers exit look forward to watching (Settgast 2008).\r\nWith terminal tolls, injuries and intrigue surrounding these specific broadcasts, editorials come out criticizing the patrol for actually giving chase and not letting these vigilantes go on their way. But even bombarded with criticisms, the natural law jade’t give up the chase and continue with the inquisition of these heady drivers (Sowe ll 2007). at that place are many reasons as to why police officers give chase to reckless drivers.\r\nAs a matter of fact, courts have continuously investigated on whether the chases are needful and the use of force by the police to stop them are justified such as the case of â€Å"Scott v. Harris” where a police rammed the car of a 19-year old, rendering him quadriplegic (Settgast 2008). This, and other cases has set the media hogging up more airtime for police chases because of several reasons; one of which is because police car chases, by themselves, already have the tether factor to decoy viewers.\r\nThe media exposition of the spunky make haste car chases, from the resonate of the chase to the dramatic (or non-dramatic) ending, have always had viewers finding themselves hooked on the bury once it turns on. The interpretative archetype is one of the models that explain viewer behavior on media. As Giddens describes, the model views that the â€Å"audience has a powerful role…The interpretative model views audience retort as shaping the media though its engagement or rejection of its fruit” (2000).\r\nThis means that the media is actually beholden to their viewers if completely because of the competition they have with other television media companies, and their desire to increase their rating. With more viewers attuned to them, the higher their ratings would become, therefore they would attract more sponsors and more sources of income. In this regard, the media’s duty is to please their viewers also because it is a necessity for them in consecrate to survive.\r\nBecause of the wide acceptance by the ordinary of high furthering car chases as a from of entertainment, the media has jumped at the chance to repair their ratings by showing these through â€Å"special live reports”. One of the most celebrated and iconic showcase of this is the car chase involving O. J. Simpson in 1994 where â€Å"For two hours, 95 meg Americans ignored the sixth game of the master basketball finals in the East and the sundown in the West to stare at the tube as a clear Ford Bronco drove calmly along one strand and then(prenominal) another of L. A. ‘s web of freeways” (Reuven 1994).\r\nWith this kind of attention the media gets from the public and the media’s response to getting more of this on television, it is patent that audiences now have the freedom to watch what they want (Chinni 2005) . We see that the public’s attention to high recreate car chases actually searchs like a aura of the crime, especially as they are visualised in movies and are used to be redeeming factors no matter how bleak a movie turns out to be (Dean 1993).\r\nAnother side to the story is that high speed car chases sometimes lead madness and some people look forward to there would be some satisfy if solo for reasons of entertainment. Some even find out high speed car chases, themselves to be violence on its own as it capitalizes on predatory behavior. There are multiple evidences that point to the fact that violence is a form of entertainment is multiple and that the media jump on the chance to be in the action increase their ratings. However, media puzzle out on people is a sort out of the deal and cannot be ignored.\r\nExposure to to the highest degree anything the media imparts creates a permissive atmosphere for self-assertive behavior which translates to action over time. Whether the effect are little or the effect are large (in the midst of the ongoing debate of the extent of media influence over its viewers), the bottom line is with the media’s ferocity on aggressive behavior (such as high speed car chases) it is Copernican to note that there is a high likelihood of people imitating the high speed car chases themselves due to drug or alcoholic influences (Felson 1996).\r\nIn this case, not only do the people dictate what the media testament s howcase and highlight in their programs, besides the media also influences how people perceive the dry land and influence their choices and preferences of shows and broadcasts. Also of considerable bring out is the fact that people, devoid of the factors that control their inhibitions, are susceptible to be the perpetuators of high speed car chases themselves as can be read from the study.\r\nSuch factors that contribute to the remotion of inhibitions include the influences of drugs, alcohol, and others. As such, the likelihood that people would be experiencing and trying out for themselves the â€Å" rush” of high speed car chases is high.\r\nWe see that these two factors together (public influence on media and media influence on the public), creates a malevolent cycle of the continuous resplendence of aggressive behavior, such as high speed car chases. This glorification is, first of all, seen in how people are attracted like moths to a flame by the star factor of this broadcast/report. Owing to the high speed car chases’ innate ability to appeal emotions (such experiences can also be pitch in pro-sporting events such as football game and NASCAR racing), people become more and more addicted to watching them, and in the end, gad the media to feature more whenever these incidences take place.\r\nMoreover, high speed chases in Hollywood add to the thrill effect of this dangerous pursuit making them more palatable to their viewers. Secondly, the glorification comes in the form of media sensationalizing these high speed car chases by making it seem more exciting than it actually is like adding the words â€Å"special” and other effectuate to these reports. Also, the media takes these high speed chases to the editorial newsroom to spikelet more of the excitement even if it only lasts for a few days.\r\nIn essence, the thrill effect of high speed car chases and the sensationalism by the media glorifies this dangerous sport. united w ith the emotion-evoking nature of high speed car chases, people are becoming more and more susceptible to its influences (Felson 1996) making the uncivilised cycle of watching, getting involved in, and publicize them unending.\r\n'